When the Renderer is running on a dedicated workstation, the synchronization source is LTC. When mastering, the Dolby Atmos Renderer chases the DAW transport.

Using a synchronization peripheral to generate Longitudinal Time Code (LTC).Seemed to lock to RME HDSP9652 Adat 1/2 so that's also needed. The fact that a second available client could be manipultaed functional was long time coming for my re-amping needs. The ASIO4All utilizing the different outs and the external feature is bonus. Nuendo always had this capabilty with only one card and driver, more outboard hardware DA was needed so why not a familiar dedicated hardware box like the GT10? it's a natural bussing concept and kinda cool. Nothing really new re-amping with digital amp modeler plugins, Amplitube, Guitar RIg, etc but with different external plugin port access? nice. With the A4All multi client buss activations, it allowed me to use the secondary GT10 driver along side various selections from the RMEHDSP main client.Īll this while tweaking amp/FX combinations & sound possibilities. With my single client RME ASIO driver, bussing was restricted to RME outs only, not fully ideal Neundo picked up the GT10 hardware within the Studio Manager area. I inserted Nuendo's 'GT10 external gear' insert plugin on the track in Nuendo

Happy to say A4All bridges a huge river of restrictions.Įg I was trying to Re-amp a direct guitar track in Nuendo (RMEHDSP main client) while using the BOSS GT-10 floorpedal, USB port & driver. After downloading ASIO4ALL and experimenting with this multi client audio driver.

Nuendo 5.5